+ EXHIBITIONS +

At Land, Video Installation

2023, Ursa Gallery, Bridgeport CT

World Wide Web / Million Man March, Interactive Multimedia * (P) purchase

2016, Cornell University, Ithaca NY

SIGNAL TO CODE: 50 Years of Media Art in the Rose Goldsen Archive, exhibition (P)

2005, Emory College, Atlanta, GA (P)

2003, Cornell University, Ithaca, NY (P)

University of Southern California, Annenberg Center, LA, CA (P)

Middlebury College, Middlebury, VT (P)

The College of New Jersey, Ewing, NJ (P)

2002, Race in Cyberspace, exhibition, Studio Museum in Harlem, NY

2001, Race in Cyberspace” conference, Massachusetts Institute of Technology, MA

 University of California at Los Angeles, Los Angeles, CA (P)

 University of California at Santa Cruz, Santa Cruz, CA (P)

2000, Points of Contact: The Art of CD-ROM,” Mexico City

Elon College, NC (P)

Slippery Rock University, Slippery Rock, PA (P)

1999, Points of Contact: The Art of CD-ROM,” Cornell University, Ithaca, NY

4E MANIFESTATION INTERNATIONALE VIDÉO ET ART ÉLECTRONIQUE, MONTRÉAL

 “Video on Video Series” Saratoga Springs Public Library, Saratoga, NY

 Art History Graduate Symposia, Herbert F. Johnson Museum, Cornell Univ., NY

 Five29Ninety9, Symposium, St. Ann’s Church, Brooklyn, NY

 Hampshire College, Amherst, MA (P)

 New York University, New York, NY (P)

 University of Buffalo, Buffalo, NY (P)

1998, 25th Athens International Film & Video Festival, Athens, OH

Viper Festival, Lucerne Switzerland

National Black Arts Festival, Atlanta, GA

New School for Social Research, New York, NY

Southern Adirondack Library System, Saratoga Springs, NY (P)

II Jornadas Sobre Arte y Multimedia, Fundacion “la Caixa” Barcelona

1997, Prized Pieces Festival” National Black Programming Consortium, OH

“Memory & Modernity” 43rd Robert Flaherty Film Seminar, Ithaca College, NY

“Translocations” The Photographer’s Gallery, London, ENG

“IEAR Performance Series” Rensselaer Polytechnic Institute, Troy, NY

“Zones of Contact” Steirischer Herbst, Graz Austria

Design . Grid . Composition, Web-based constructs

2007, Black Photographers in and Out of the Box, California African American Museum, CA

Displacement - Riverside, CA 2007, Digital photographs

2007, Urban Space Exhibition, Wooloo Productions, Berlin Germany and Rio de Janeiro, Brazil

Urban Space Exhibition, Wooloo Productions, Slovenia and Brasilia, Brazil

+ CURATORIAL +

Curator, INTERCESSION, New Art Center Corridor Gallery, 2024

Curator, RESHAPED l REFOCUSED, based on Octavia Butler’s ‘Parable of the Sower.’

Creative Arts Workshop, with artists Greg Aime’, Amira Brown, and Mosho Olagunju, June 2022

Co-Curator, D’Lectricity Festival, Detroit

Midtown Detroit, September 2021

Co-curator, VOTING MATTERS: African Americans and the Right to Vote

Charles H. Wright Museum of African American History, September 2020

Producer, ARTSBLOCK Live! 2009-2010

UC Riverside in Collaboration with KCET-LA featuring Writers, Artists, Filmmakers

Co-curator, Hollywood/Hollywould, 2008

LA Freewaves International Video Festival, Los Angeles, CA

Co-curator, Black Genius in New Media, exhibition, 1997

New York University, Interactive Telecommunications Program, New York

Co-curator, The Digital Salon, exhibition, 1997

43rd Robert Flaherty Film Seminar, Ithaca College, NY

Curator, Reggie’s World of Soul, video screening, 1996

The Knitting Factory Video Lounge, New York

Co-curator, African American Women Behind the Camera, 1993

The Brooklyn Museum, Film Video Program, New York

Programmer, Image Ranging Sound Navigation, 1990

Bard College, Annandale-on-Hudson, New York

Seminar Coordinator, “Black Independents On-Line” 1990

World Institute of Black Communications, New York

Curator, “Too Black, Too Strong: Video & Works on Paper” 1988

Artists Space Gallery, SoHo New York

Co-curator, “In Living Colour: Race & Civil Rights” 1988

American Film Institute, Los Angeles, CA

+ FELLOWSHIPS / AWARDS / RESIDENCIES +

Cornell University, Society for the Humanities, NY

Fellowship, Seminar Theme: “The Virtual: Old & New” 1998-99

New York Foundation for the Arts, NY

Video Arts Fellowship, 1994

Independent Television Service, MN

Script Development Grant, “Over-Extended Family” 1993

Banff Centre for the Arts, Nomad Residency, CAN

Media Project: “Sojourn” (multi-channel video installation), 1993

Art Matters International Travel Fellowship, NY

FESPACO Biennale Film Festival, Burkina Faso, West Africa, 1993

+ ONLINE / STREAMING RADIO +

Radio Free Hamptons - Special Programs

WHY HAITI? A CELEBRATION OF INDEPENDENCE, Sag Harbor, NY, 7/22/04

Featuring actor Danny Glover, writer Edwidge Dandicat, and musician Jean-Jean Pierre

SUMMER SUNDAYS POETRY READING SERIES, 6-8/04

In collaboration with The North Sea Poetry Scene of Southampton

WOMEN’S MEMOIRES ON-LINE, 6/04

In collaboration with Herstory Project.org

RFH - Live On-line interviews

Colin Channer, author of Caribbean novel, Passing Through; book illustrator Randall Reynolds, co-founder of Pushpin Studios; artist Frank Roccanova, “Homage to Magritte”; Ed Morales, author, Living in Spanglish: The Search for Latino Identity in America

RFH - Weekly Music & Culture Shows

ARTSPEAK focus on art and culture with critic and professor Marion Wolberg Weiss

LONG ISLAND LUNCH blues, funk, rock and Long Island homegrown with Richard Arfin

SOLID GOLD SOUL old school, funk, R&B, and contemporary pop with Ken Gholson

EMINENT ENERGY metal, grunge, new power punk and other mixes with Bruce Stewart

OUT OF THE BOX: ART, POLITICS & FUN international activism with Kathy Engel

THE AMERICAN POPULAR SONG from Fats Waller to Sinatra with Malcolm C. Dankner

In-Studio Training Workshops

Web Design, Digital Audio Production, Adobe Photoshop, Computers 101

Primary Schools Served:

The Ross School, Hampton Day School, Hayground School, Pierson High School

New World Gallery / Digital Art Exhibitions

THREADLINES, 4/04

Digital photo and printmaking by collaborating artists Scott Sandell & Paul Chojnowski

HOMAGE TO MAGRITTE, 6/04

Photography and computer painting by artist Frank Roccanova

CONTACT ZONES: The Art of CD-ROM, curated by Timothy Murray, 8/04

International selection of multimedia art, New World Gallery, Sag Harbor

LIGHT DRAWINGS, 10/04

Photography and computer painting by artists Linda Butti, Marilyn Stevenson, and Jason Noble

+ INTERVIEWS / REVIEWS +

Curating Culture: The Charles H. Wright Museum, February 4, 2021, BLAC Detroit Magazine

An Aesthetic or Anesthetic? Developing Actional Digital Aesthetics of Production, by Russell Richards, MA February 2002

Black High-Tech Documents, by Erika Muhammad in Struggles for Representation: African American Documentary, ed. by Phyliss Klotman, Indiana University Press, 2001

Digital Incompossibility: Cruising the Aesthetic Haze of The New Media, Timothy Murray, 1999

Transnational/National Digital Imaginaries, by John Hess and Patricia R. Zimmerman, 1999

Riddles of the Interface: Hieroglyphic Consciousness and New Experimental Multimedia, in Wide Angle, Vol. 21.1, January 1999 by Joe Milutus

+ Radio Free Hamptons - Articles +

Ernst, Eric Digital Tools Guided by Artistic Eyes, The Southampton Press, November 2004

Rogers, Pat Web Presence Gives Poets a Wider Audience, The Southampton Press, July 2004

Ernst, Eric Digital Works Prove Technology Liberates, The Southampton Press, May 2004

Algar, Selim A New Station Makes Debut on the Internet, The Southampton Press, December 2003

Cowley, Lisa RFH: An Interactive Community, The East Hampton Independent, April 2004

+ SELF-PUBLISHED ART & DESIGN BOOKS +

UNION EI-276: Gulf of Mexico, 2012

FAULT: Photos + Graphics, 2011

TREES + ROCKS: Contemporary Stereos of Yosemite and Joshua Tree, 2011

no STEREO in MOTOWN, 2010